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Allen & Heath GL2800-856 Live Sound Mixer Console |
 Small footprint dual function live sound console 8 Group, 10 Aux, LRM mix Enhanced 12x4 matrix 4 mute groups and true stereo IEM capability Frame sizes 24, 32, 40, 48 and 56 including 2 dual stereos ALLEN & HEATH INTRODUCE GL2800 TO NEW GENERATION OF RANGE Allen & Heath has introduced the GL2800 dual-function mixer as part of a new generation of the industry standard GL range of live sound mixers. The GL2800 is equipped with L, R and M main mixes, 8 groups, 10 auxes including a dedicated stereo aux, 12x4 matrix including external inputs, and 4 mute groups. Models from 16 to 56 channels are available. The GL2800 benefits from the latest audio circuitry, now with an extended preamp gain range of 74dB with input on XLR or jack, a new ultra-quiet mix head amp design for optimum dynamic range, and differential output XLR drive to +26dBu. With dual-function capability, pioneered originally by Allen & Heath in the early 1990's, the new GL2800 has been developed with a feature set dedicated to support modern sound engineering techniques. In monitor mode, 14 stage mixes plus engineers monitor wedge mix can be created from the 10 auxes, 4 matrix and M output. Mic cross-patching into the matrix allows ambience to be easily added to live recording and IEM mixes. The stereo mix provides a perfect source for modern monitor systems such as Hear Back and Aviom, for live recording or for dual reverb. The GL2800 is ideal for space conscious fixed installations and for touring and rental. "We've designed the GL2800 to provide our best sonic performance yet. The pre-amp and mix bus amp designs have been taken to a new level, able to cope with an incredibly wide signal range, producing a very open, natural sound. We have paid particular attention to achieving the ultimate transparency from all the circuits in the signal path," comments Allen & Heath's R&D manager, Mike Griffin. "We are also proud of the vast functionality of this model - up to 56 channels and 10 auxes - ergonomic, yet packed into a compact and ruggedly built package." Features: 24, 32, 40, 48 and 56 channel frames LR and M mix buses 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 dual stereos provide an extra 4 summed or independent stereo returns Fully featured 12x4 Matrix Proper dual functionality for FOH/Monitor mixing Recording capable with channel direct outputs M can be used for LR mono sum, engineers wedge, or centre/sub mix Matrix external inputs with level trims and common input capability Stereo channel mic inputs can cross patch into matrix for ambience feed Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and polarity switching Wide angle channel and master meters Dedicated stereo monitor meters Per channel pre/post fader aux switching for full flexibility Recessed pre/post-EQ aux switching per channel Internal jumper plugs for aux, direct out and other options Mutes on all fader masters 100mm dust protected faders Assignable talkback to all outputs 1kHz oscillator / pink noise generator with external output 2-track monitoring and replay to LR 3 headphones/earpiece sockets and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp 74dB range with +34dBu input capability for mic or line Ultra low noise mix head amp design Uses external linear power supply Built-in combiner for redundant backup supply Metal jacks, gold-plated XLRs, sealed pots and switches Individual circuit card assembly with nutted pots Solid copper bus bar grounding Sys-Link V2 console linking option 4-pin lamp sockets |
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